The
epics of Mahabharata
and
Ramayana
offer
a nuanced history of the lineages, roles, and movements of
communities across Bharat
and
Lanka.
The narratives are filled with symbols and roles that represent the
spread, evolution, and eventual merging of traditions that defined
both regions.
Karna, Rama, Vijaya, and the Bow and Arrow Tradition
Rama, Karna, and Vijaya are all connected through the Sun lineage (Surya Kulam), representing powerful, conquering communities of Bharat. Each of these figures shares a common thread in wielding the bow and arrow and embodying a tradition of war, conquest, and spiritual significance.
Karna, the abandoned son of Kunti, was floated down the river (symbolically believed to be the Indian Ocean) and raised by Aathirathan, meaning "old blood" in Tamil, which indicates the aboriginal communities of Lanka. This upbringing links Karna to Lanka's spiritual roots. When Karna returned to Hastinapura, Duryodhana made him the king of Anga desa, thought to be Lanka itself, highlighting a strong cross-regional spiritual and cultural exchange.
Rama, the son of Dasaratha, was exiled to the forest by Kaikeyi. Ramayana’s story of Rama retrieving Sita and fighting Ravana represents a larger struggle over control, with Sita metaphorically representing wealth and power. Rama and Karna are mirrors of each other, wielding the bow and arrow and aligning with a specific notion of order, rule, and spiritual dominance.
Both
Dasaratha
and
Ravana
represent
rulers of ten
bloodlines or
communities—Dasaratha
in
Bharat
and
Ravana
in
Lanka.
The distinction lies in their perspectives and skin color: Rama’s
bloodline is
portrayed as the Devs
(white-skinned gods),
while Ravana’s
bloodline is
depicted as the Asuras
(dark-skinned beings).
The conflict between the two, framed as a battle between good
and
evil,
reflects this duality in the epics.
Vijaya and the Tamil Perspective on Conquest
Vijaya,
exiled from India
with
his followers, arrived in Lanka
and
married Kuhani
(Kuveni),
who is a representation of the Kuhan
community.
This strategic marriage forged an alliance with the aboriginal
people of
the island. While this aligns with the conquest
theme found
in Rama’s
journey
to Lanka,
the perspectives differ: in Ramayana,
Ravana
is
depicted as the bad
king,
an evil
Asura who
ruled over Lanka.
However, in Tamil
tales,
Vijaya’s
invasion casts
a different light, suggesting that Vijaya—possibly
another representation of Rama
or
Karna—was
not a noble figure but one who was deported from Bharat
for
his unruly nature. This view reframes Vijaya
not
as a hero, but as an invader
who
seized power over the indigenous communities of Lanka.
Yudhishthira, Ravana, Muruga, and the Javelin Tradition
Separate from the Sun lineage’s association with the bow and arrow, Yudhishthira (from the Mahabharata) represents a different tradition tied to the Vel (javelin), a weapon connected to the aboriginal Vedar communities of Lanka. Yudhishthira, the eldest Pandava, reflects values of justice, wisdom, and a deeper spirituality. This aligns with Muruga (Kartikeya), another figure associated with the javelin tradition, who later came to be seen as the son of Shiva and protector of Kumari Kandam and the Lankan Vedar community.
Ravana, Yudhishthira, and later Muruga illustrate the aboriginal Tamil-Vedar tradition valuing righteousness, martial strength, and spiritual integrity. Ravana's ten heads symbolize ten aboriginal tribes of Lanka, connected to a legacy of wisdom, culture, and a deep-seated spiritual belief that unified these communities. As narratives evolved, Muruga is said to have killed three heads representing Singa Mugasura, Kajamugasuran, and Soora Panman. The remaining six were reduced when Ravana played Samakana with his own head, which reflects a shift to a more consolidated, unified Tamil spiritual tradition of Muruga.
The
Vel
thus
becomes a symbol of the Vedar's
strength and
spiritual weaponry, contrasting with the bow
and arrow tradition of
Rama,
Karna,
and Vijaya.
The Vel
is
tied closely to the history of Muruga,
who came to symbolize the spiritual
power of
the aboriginal
Tamil communities.
The
Symbolism of Mango, Ganesha Gene, and Kuhan
The
mango
of wisdom story plays
a crucial role in these mythologies. Kuhan,
associated with the Ganesha
gene (Rat lineage),
stands apart from Muruga’s
(Kartikeya) Monkey lineage.
This distinction emphasizes the duality within Tamil
spiritual traditions.
According to legend, when Muruga
and
Ganesha
quarreled
over a mango, it symbolizes a deeper spiritual conflict between the
two lineages.
In the Ramayana, Rama defeats Ravana and grants the rule of Lanka to Vibhishana, a symbolic parallel to Ganesha receiving the mango of wisdom from Shiva. This act signifies the transition of spiritual authority from Muruga's lineage to the Ganesha lineage. Vibhishana's rule is emblematic of the division between Kuhan (Ganesha's community) and Muruga's aboriginal traditions, reinforcing the alignment between Ganesha and the more dominant, organized spiritual beliefs brought into Lanka.
Dasaratha, Dushera, and Spiritual Warfare
The
terms Dasaratha
(father
of Rama)
and Dushera
(festival
celebrating Rama’s
victory over
Ravana)
illustrate the complex duality in these stories. Both Dasaratha
and
Ravana
are
connected
through the concept of ruling "ten
bloodlines" or tribes—where
Ravana's
ten heads metaphorically
represent his control over ten tribes in Lanka,
and Dasaratha's
ten bloodlines reflect
his influence over ten communities in Bharat.
However, the dynamics and perspectives
are contrasting. Ravana
symbolizes
a perceived "evil" from the Devs'
perspective,
while Dasaratha
represents
the spiritual
order in
Bharat.
Muruga,
later formed as the god
of the Vedar communities,
represents the struggle of these darker-skinned aboriginal
communities who
fought to preserve their traditions,
culture,
and identity
in
the face of invasions and dominance by Devs.
The festival of Dushera
marks
the triumph of Devs
over Asuras,
with Rama
defeating
Ravana
and
symbolically asserting the dominance of the Sun
lineage.
However, Ravana
is
also linked with Kashyappa,
who ruled Sigiriya,
as Lankan
history suggests.
The name Kashyappa
means
"son of Kashi,"
another term for Shiva
(Shivan),
indicating a connection between Ravana
and
Muruga,
who are both tied to the Sun
lineage in
their own way. The legs in front of the Sigiriya tower are neither lion as Sinhalese claim nor elephant as Tamils claim. It's the feet of a peacock, which is another piece of evidence that Ravana is Muruga himself.
Mayilerum Mannava - En Manamer Ingu Vaa!
Seyal Veeran Allavaa - Un Sirappellaam Sollavaa.
Following
Rama’s
conquest,
the arrival of Buddha—representing
another form of the Vaishnava
tradition—further
contributed to the oppression
of
the Muruga
community in
Lanka,
as the emerging Buddhist
influence pushed
aside the existing Shaiva-Vedar
traditions.
Kumari Kandam, Tamil Culture, and the Spread of Wisdom
Kumari Kandam is believed to have been a vast landmass connecting Australia, Africa, Lanka, and Southern India. The Tamils consider this landmass as their cradle of civilization, with Shiva as their chief deity. Unlike Devs, who selectively favor certain communities, Shiva is seen as a universal benefactor who grants boons to both Devs and Asuras alike. The Tamils spread their influence across Kumari Kandam, Lanka, and Bharat, cultivating a culture centered on justice, spirituality, and harmony with nature.
The
Devs,
in contrast, are portrayed as northern conquerors who defeated the
Asuras
and
celebrated their dominance through festivals like Dushera.
These victories were often reframed as triumphs of "good
over evil," casting
the Asuras
as
villains and obscuring the historical context of oppression
faced
by the Tamil-Vedar
communities.
The Lineage of Weapons: Vel, Javelin, Bow, and Arrow
The
Vel
(javelin),
as the primary weapon of the Vedar
in
Lanka,
is a key symbol of their martial
and spiritual traditions,
representing both physical
strength and
deeper spiritual
wisdom.
Muruga’s
wielding of the Vel underscores
the distinct Tamil
warrior tradition and
contrasts
sharply with the Sun
lineage’s preference
for the bow
and arrow.
The javelin
represents
a grounded, primal connection to the land, spirituality, and communal
wisdom.
Kantha and the Northern Tamil Influence
The Kanthan (Kantha) communities in the northern regions of Lanka played a pivotal role in preserving Tamil culture. Their proximity to Bharat allowed for greater cultural exchanges, making them the bearers of Tamil traditions that were influenced by Bharat’s broader spiritual dynamics. The last south indian Arya king, Sangiliyan, stood as a protector of this Tamil heritage before foreign powers such as the Portuguese intervened, marking the end of an era of aboriginal rule in Lanka.
>> Yudhishthira தர்மர் பொய் சொன்ன கதை - Ja.Vel.In கதை












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